Lucio Fontana One of the most innovative artists of the twentieth century, Argentine-Italian artist Lucio Fontana (1899–1968) continually challenged the boundaries of art making and the role of the artist, using a rich vocabulary of material, form, and action. Lucio Fontana (Argentine/Italian, 1899–1968) was born in Argentina, but moved to Milan when he was a young child. He is mostly known as the founder of Spatialism. Fontana formulated the theory of Spatialism in a series of manifestos dating from the late 1940s to early 1950s, proposing that matter should be infiltrated by energy in order to generate dimensional, dynamic artistic forms. Lucio Fontana and Multi-Disciplinary Art It is a historical glitch that Lucio Fontana is mostly referred to as a painter. Represented by industry leading galleries. “I do not want to make a painting; I want to open up space, create a new dimension, tie in … From 1949 on he started the so-called Spatial Concept or slash series, consisting in holes or slashes on the surface of monochrome paintings, drawing a sign of what he named "an art for the Space Age". Lucio Fontana Born Feb. 19, 1899 Santa Fe, Argentina Died Sep. 7, 1968 (at age 69) Varese, Italy Nationality Italian Education Brera Academy, Milan Movement Spatialism Field Painting, Sculpting Works Lucio Fontana was a famous Italian artist who was known for combining different mediums in order to create a new form of art. With his Pietre (stones) series, begun in 1952, Fontana fused the sculptural with painting by encrusting the surfaces of his canvases with heavy impasto and colored glass. Avant-garde meets ultra-baroque in the works of Argentine-born Italian artist Lucio Fontana (1899-1968), the last two decades of whose vast … In 1961, a solo exhibition by Argentine-Italian artist Lucio Fontana met with a scathing critical response from New York art critics. Voir plus d'idées sur le thème art, peintres italiens, rosario. A new view of Fontana showing how the artist combined modernist aesthetics with outmoded forms of kitsch. In Milan, he collaborated with noted Milanese architects to decorate several new buildings that were part of the effort to reconstruct the city after the war. Trained as a sculptor at the Academy of Fine Arts of Brera, he became familiar with the art of Arturo Martini, whose work proved influential in Fontana’s artistic beginnings. Wikidata Q312392 He was trained as a sculptor. Lucio Fontana’s oeuvre is more than just visually alluring and thought-provoking, it brought about a movement that changed the perspective on art … During the following decade he journeyed Italy and France, working with abstract and expressionist painters. These can be divided into broad categories: the Buchi (‘holes’), beginning in 1949, and the Tagli (‘slashes’), which he instituted in the mid-1950s. 5 Artsy Viewing Rooms to Explore This Fall, What Sold at Frieze and TEFAF in New York, The Salacious Violence of Lucio Fontana’s Slashed Canvases. 4 févr. Provenance: Galerie Pierre, Stockholm Private Collection, Saltsjo-Duvnas Sotheby’s London, 20 March 1997, lot 29 Private Collection, Germany Dorotheum, 1 June 2016, Lot 603 acquired from the above by the present owner Exhibited: Check out our lucio fontana art selection for the very best in unique or custom, handmade pieces from our shops. (Lucio Fontana 1899-1968: A Retrospective, exhibition catalogue, Solomon R. Guggenheim Museum, New York 1977, p.19) In 1977 his first retrospective was exhibited at the Solomon R. Guggenheim Museum. In his important series of Concetto spaziale, La Fine di Dio (1963–64), Fontana uses the egg shape. Find the latest shows, biography, and artworks for sale by Lucio Fontana. In addition, in Concetto spaziale, Attesa, 1964, Lucio Fontana introduces the question of visual purity in a work of art. Lucio Fontana ‘the hole is the beginning of a sculpture in space’ Lucio Fontana ‘[Fontana] is the enemy of media purity, and chooses the ambiguous borders between the arts, where paintings look like sculpture and sculpture meets painting halfway, in a series of overlappings and conflations’ Lawrence Alloway Fontana’s rupture of the surface of painting has had a widespread impact on generations of artists in exploring the dynamics of how painting can incorporate space and the real, physical elements of life. As the father of the spatialism concept, Fontana was at the helm of important developments in the modern art movement. Get the best deals on Lucio Fontana Art Prints when you shop the largest online selection at eBay.com. Lucio Fontana (19 February 1899 – 7 September 1968) was an Argentine-Italian painter, sculptor and theorist. He was mostly known as the founder of Spatialism. He is mostly known as the founder of Spatialism. Discover works for sale, auction results, market data, news and exhibitions on MutualArt. In Buenos Aires (1946) he founded the Altamira academy together with some of his students, and made public the White Manifesto, where it is stated that "Matter, colour and sound in motion are the phenomena whose simultaneous development makes up the new art". Lucio Fontana's career was largely influenced by the spatial concept Lucio Fontana - Concept Spatiale (detail), 1958. Free shipping on many items | Browse your favorite brands | affordable prices. Throughout his prolific career, Lucio Fontana demonstrated a relentless interest in the relationship between surface and dimensionality. Already in 1926, he participated in the first exhibition of Nexus, a group of young Argentine artists working in Rosario de Santa Fé. Fontana recalls the art of earlier civilizations and introduces elements of modern art in this work, harkening back to Ancient Greek black-figure pottery in both style and name while playing with the multiple perspectives that fascinated modern abstract artists, such as the Cubists and Futurists. Fontana spent the first years of his life in Italy and came back to Argentina in 1905, where he stayed until 1922, working as a sculptor along with his father, and then on his own. Lucio Fontanawas an Argentine-Italian artist known as the founder of Spatialism. 2016 - Explorez le tableau « Lucio Fontana » de Archive - Arts Visuels, auquel 468 utilisateurs de Pinterest sont abonnés. In his Buchi (holes) cycle, begun in 1949-50, he punctured the surface of his canvases, breaking the membrane of two-dimensionality in order to highlight the space behind the picture. Fontana had found his studio and works completely destroyed in the Allied bombings of Milan, but soon also resumed his ceramics works in Albisola. Wikipedia article References Lucio Fontana (Italian: [ˈluːtʃo fonˈtaːna]; 19 February 1899 – 7 September 1968) was an Italian painter, sculptor and theorist of Argentine birth. From Wikipedia, the free encyclopedia Lucio Fontana (Italian: [ˈluːtʃo fonˈtaːna]; 19 February 1899 – 7 September 1968) was an Argentine-Italian painter, sculptor and theorist. He was mostly known as the founder of Spatialism. Fontana formulated the theory of Spatialism in a series of manifestos dating from the late 1940s to early 1950s, proposing that matter should be infiltrated by energy … cat., Castello di Riovli, Rivoli, 1986, p. 79). He is mostly known as the founder of Spatialism. Following his return to Italy in 1948 Fontana exhibited his first Ambiente spaziale a luce nera (Spatial Environment) (1949) at the Galleria del Naviglio in Milan, a temporary installation consisting of a giant amoeba-like shape suspended in the void in a darkened room and lit by neon light. One of his most celebrated works Spatial Concept: Waiting consists of a single cut on a warm, brown-hued canvas. Fontana’s innovative theories prefigured later developments in environmental art, performance art, and Arte Povera. From 1958 he purified his paintings by creating matte, monochrome surfaces, thus focusing the viewer’s attention on the slices that rend the skin of the canvas. Born in Rosario, province of Santa Fe, Argentina to Italian immigrant parents, he was the son of the sculptor Luigi Fontana (1865 — 1946). 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